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Animal Production
“Animal Production” is a photo series that reveals the hidden world of the animal agriculture industry. Drawing from her experience as a photojournalist and a student of fine art, Samantha composes images that are as striking as they are startling.
“Animal Production” explores the often obscured spaces where our meat is rendered, documenting farmed animals as they live and die, as well as the people working to feed us. Samantha’s photo series presents this deliberately unseen world with a steady, nonjudgmental eye.
Turkey Feathers, CT 2003
Turkey Feathers, CT 2003
Turkey Feathers, CT 2003
Turkey Feathers, CT 2003
Turkey Feathers, CT 2003
Turkey Feathers, CT 2003
Turkey Feathers, CT 2003
Turkey Feathers, CT 2003
Turkey Feathers, CT 2003
Turkey Feathers, CT 2003
Turkey Feathers, CT 2003
Turkey Feathers, CT 2003
Turkey Feathers, CT 2003
Turkey Feathers, CT 2003
Turkey Feathers, CT 2003
Turkey Feathers, CT 2003
Turkey Feathers, CT 2003
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“[Samantha’s] images of modern farming methods provoke a reflection on the contemporary relationship between humans and animals... The formal beauty of her compositions makes a difficult subject approachable, persuading us not to automatically turn away. Instead, we are able to pause, consider, and reflect, and perhaps come to a greater understanding of the cultural and economic bonds between ourselves and animals.”
“[Samantha’s] images of modern farming methods provoke a reflection on the contemporary relationship between humans and animals... The formal beauty of her compositions makes a difficult subject approachable, persuading us not to automatically turn away. Instead, we are able to pause, consider, and reflect, and perhaps come to a greater understanding of the cultural and economic bonds between ourselves and animals.”
EXHIBITIONS & PUBLICATIONS
No items found.
Project Details
Year
Location
Sheep Head, CT 2003
Sheep Head, CT 2003
Sheep Head, CT 2003
Sheep Head, CT 2003
Sheep Head, CT 2003
Sheep Head, CT 2003
Sheep Head, CT 2003
Sheep Head, CT 2003
Sheep Head, CT 2003
Sheep Head, CT 2003
Sheep Head, CT 2003
Sheep Head, CT 2003
Sheep Head, CT 2003
Sheep Head, CT 2003
Sheep Head, CT 2003
Sheep Head, CT 2003
Sheep Head, CT 2003
“[Samantha’s] images of modern farming methods provoke a reflection on the contemporary relationship between humans and animals... The formal beauty of her compositions makes a difficult subject approachable, persuading us not to automatically turn away. Instead, we are able to pause, consider, and reflect, and perhaps come to a greater understanding of the cultural and economic bonds between ourselves and animals.”
“[Samantha’s] images of modern farming methods provoke a reflection on the contemporary relationship between humans and animals... The formal beauty of her compositions makes a difficult subject approachable, persuading us not to automatically turn away. Instead, we are able to pause, consider, and reflect, and perhaps come to a greater understanding of the cultural and economic bonds between ourselves and animals.”
EXHIBITIONS & PUBLICATIONS
No items found.
Project Details
Year
Location
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“[Samantha’s] images of modern farming methods provoke a reflection on the contemporary relationship between humans and animals... The formal beauty of her compositions makes a difficult subject approachable, persuading us not to automatically turn away. Instead, we are able to pause, consider, and reflect, and perhaps come to a greater understanding of the cultural and economic bonds between ourselves and animals.”
— “Peek”, Art and Commerce
“[Samantha’s] images of modern farming methods provoke a reflection on the contemporary relationship between humans and animals... The formal beauty of her compositions makes a difficult subject approachable, persuading us not to automatically turn away. Instead, we are able to pause, consider, and reflect, and perhaps come to a greater understanding of the cultural and economic bonds between ourselves and animals.”
“[Samantha’s] images of modern farming methods provoke a reflection on the contemporary relationship between humans and animals... The formal beauty of her compositions makes a difficult subject approachable, persuading us not to automatically turn away. Instead, we are able to pause, consider, and reflect, and perhaps come to a greater understanding of the cultural and economic bonds between ourselves and animals.”
EXHIBITIONS & PUBLICATIONS
No items found.
Project Details
Year
Location
“[Samantha’s] images of modern farming methods provoke a reflection on the contemporary relationship between humans and animals... The formal beauty of her compositions makes a difficult subject approachable, persuading us not to automatically turn away. Instead, we are able to pause, consider, and reflect, and perhaps come to a greater understanding of the cultural and economic bonds between ourselves and animals.”
“[Samantha’s] images of modern farming methods provoke a reflection on the contemporary relationship between humans and animals... The formal beauty of her compositions makes a difficult subject approachable, persuading us not to automatically turn away. Instead, we are able to pause, consider, and reflect, and perhaps come to a greater understanding of the cultural and economic bonds between ourselves and animals.”
EXHIBITIONS & PUBLICATIONS
Musee d’Elysee, Lausanne, Switzerland
“Regeneration: 50 Photographers of Tomorrow”
Art + Commerce
“Peek”
George Eastman Museum
“Why Look at Animals”
Goliath Visual Space
“Animal Destinies”
Bonnie Benrubi Gallery
“57 on 57th”
Project Details
Year
Location
Pete and Cow, CT 2003
Pete and Cow, CT 2003
Pete and Cow, CT 2003
Pete and Cow, CT 2003
Pete and Cow, CT 2003
Pete and Cow, CT 2003
Hog Slaughterhouse, IA 2004
Pete and Cow, CT 2003
Hog Slaughterhouse, IA 2004
Pete and Cow, CT 2003
Hog Slaughterhouse, IA 2004
Pete and Cow, CT 2003
Hog Slaughterhouse, IA 2004
Pete and Cow, CT 2003
Pete and Cow, CT 2003
Hog Slaughterhouse, IA 2004
Pete and Cow, CT 2003
Hog Slaughterhouse, IA 2004
Pete and Cow, CT 2003
Pete and Cow, CT 2003
Pete and Cow, CT 2003
Hog Slaughterhouse, IA 2004
Pete and Cow, CT 2003
Pete and Cow, CT 2003
Hog Slaughterhouse, IA 2004
“[Samantha’s] images of modern farming methods provoke a reflection on the contemporary relationship between humans and animals... The formal beauty of her compositions makes a difficult subject approachable, persuading us not to automatically turn away. Instead, we are able to pause, consider, and reflect, and perhaps come to a greater understanding of the cultural and economic bonds between ourselves and animals.”
“[Samantha’s] images of modern farming methods provoke a reflection on the contemporary relationship between humans and animals... The formal beauty of her compositions makes a difficult subject approachable, persuading us not to automatically turn away. Instead, we are able to pause, consider, and reflect, and perhaps come to a greater understanding of the cultural and economic bonds between ourselves and animals.”
EXHIBITIONS & PUBLICATIONS
No items found.
Project Details
Year
Location
Chicken Head, NY 2003
Chicken Head, NY 2003
Chicken Head, NY 2003
Chicken Head, NY 2003
Chicken Head, NY 2003
Chicken Head, NY 2003
Chicken Head, NY 2003
Chicken Head, NY 2003
Chicken Head, NY 2003
Chicken Head, NY 2003
Chicken Head, NY 2003
Chicken Head, NY 2003
Chicken Head, NY 2003
Chicken Head, NY 2003
Chicken Head, NY 2003
Chicken Head, NY 2003
Chicken Head, NY 2003
“[Samantha’s] images of modern farming methods provoke a reflection on the contemporary relationship between humans and animals... The formal beauty of her compositions makes a difficult subject approachable, persuading us not to automatically turn away. Instead, we are able to pause, consider, and reflect, and perhaps come to a greater understanding of the cultural and economic bonds between ourselves and animals.”
“[Samantha’s] images of modern farming methods provoke a reflection on the contemporary relationship between humans and animals... The formal beauty of her compositions makes a difficult subject approachable, persuading us not to automatically turn away. Instead, we are able to pause, consider, and reflect, and perhaps come to a greater understanding of the cultural and economic bonds between ourselves and animals.”
EXHIBITIONS & PUBLICATIONS
No items found.
Project Details
Year
Location
Omar, OH 2004
Omar, OH 2004
Omar, OH 2004
Omar, OH 2004
Omar, OH 2004
Omar, OH 2004
Omar, OH 2004
Omar, OH 2004
Omar, OH 2004
Omar, OH 2004
Omar, OH 2004
Omar, OH 2004
Omar, OH 2004
Omar, OH 2004
Omar, OH 2004
Omar, OH 2004
Omar, OH 2004
“[Samantha’s] images of modern farming methods provoke a reflection on the contemporary relationship between humans and animals... The formal beauty of her compositions makes a difficult subject approachable, persuading us not to automatically turn away. Instead, we are able to pause, consider, and reflect, and perhaps come to a greater understanding of the cultural and economic bonds between ourselves and animals.”
“[Samantha’s] images of modern farming methods provoke a reflection on the contemporary relationship between humans and animals... The formal beauty of her compositions makes a difficult subject approachable, persuading us not to automatically turn away. Instead, we are able to pause, consider, and reflect, and perhaps come to a greater understanding of the cultural and economic bonds between ourselves and animals.”
EXHIBITIONS & PUBLICATIONS
No items found.
Project Details
Year
Location
Hog Processing Plant, IA 2004
Hog Processing Plant, IA 2004
Hog Processing Plant, IA 2004
Hog Processing Plant, IA 2004
Hog Processing Plant, IA 2004
Hog Processing Plant, IA 2004
Turkeys, OH 2004
Hog Processing Plant, IA 2004
Turkeys, OH 2004
Hog Processing Plant, IA 2004
Turkeys, OH 2004
Hog Processing Plant, IA 2004
Turkeys, OH 2004
Hog Processing Plant, IA 2004
Hog Processing Plant, IA 2004
Turkeys, OH 2004
Hog Processing Plant, IA 2004
Turkeys, OH 2004
Hog Processing Plant, IA 2004
Hog Processing Plant, IA 2004
Hog Processing Plant, IA 2004
Turkeys, OH 2004
Hog Processing Plant, IA 2004
Hog Processing Plant, IA 2004
Turkeys, OH 2004
“[Samantha’s] images of modern farming methods provoke a reflection on the contemporary relationship between humans and animals... The formal beauty of her compositions makes a difficult subject approachable, persuading us not to automatically turn away. Instead, we are able to pause, consider, and reflect, and perhaps come to a greater understanding of the cultural and economic bonds between ourselves and animals.”
“[Samantha’s] images of modern farming methods provoke a reflection on the contemporary relationship between humans and animals... The formal beauty of her compositions makes a difficult subject approachable, persuading us not to automatically turn away. Instead, we are able to pause, consider, and reflect, and perhaps come to a greater understanding of the cultural and economic bonds between ourselves and animals.”
EXHIBITIONS & PUBLICATIONS
No items found.
Project Details
Year
Location
Turkey Farm, OH 2004
Turkey Farm, OH 2004
Turkey Farm, OH 2004
Turkey Farm, OH 2004
Turkey Farm, OH 2004
Turkey Farm, OH 2004
Turkey Farm, OH 2004
Turkey Farm, OH 2004
Turkey Farm, OH 2004
Turkey Farm, OH 2004
Turkey Farm, OH 2004
Turkey Farm, OH 2004
Turkey Farm, OH 2004
Turkey Farm, OH 2004
Turkey Farm, OH 2004
Turkey Farm, OH 2004
Turkey Farm, OH 2004
“[Samantha’s] images of modern farming methods provoke a reflection on the contemporary relationship between humans and animals... The formal beauty of her compositions makes a difficult subject approachable, persuading us not to automatically turn away. Instead, we are able to pause, consider, and reflect, and perhaps come to a greater understanding of the cultural and economic bonds between ourselves and animals.”
“[Samantha’s] images of modern farming methods provoke a reflection on the contemporary relationship between humans and animals... The formal beauty of her compositions makes a difficult subject approachable, persuading us not to automatically turn away. Instead, we are able to pause, consider, and reflect, and perhaps come to a greater understanding of the cultural and economic bonds between ourselves and animals.”
EXHIBITIONS & PUBLICATIONS
No items found.
Project Details
Year
Location
Gabriel and Goat Carcass, MX 2005
Gabriel and Goat Carcass, MX 2005
Gabriel and Goat Carcass, MX 2005
Gabriel and Goat Carcass, MX 2005
Gabriel and Goat Carcass, MX 2005
Gabriel and Goat Carcass, MX 2005
Turkey Poult Farm, OH 2004
Gabriel and Goat Carcass, MX 2005
Turkey Poult Farm, OH 2004
Gabriel and Goat Carcass, MX 2005
Turkey Poult Farm, OH 2004
Gabriel and Goat Carcass, MX 2005
Turkey Poult Farm, OH 2004
Gabriel and Goat Carcass, MX 2005
Gabriel and Goat Carcass, MX 2005
Turkey Poult Farm, OH 2004
Gabriel and Goat Carcass, MX 2005
Turkey Poult Farm, OH 2004
Gabriel and Goat Carcass, MX 2005
Gabriel and Goat Carcass, MX 2005
Gabriel and Goat Carcass, MX 2005
Turkey Poult Farm, OH 2004
Gabriel and Goat Carcass, MX 2005
Gabriel and Goat Carcass, MX 2005
Turkey Poult Farm, OH 2004
“[Samantha’s] images of modern farming methods provoke a reflection on the contemporary relationship between humans and animals... The formal beauty of her compositions makes a difficult subject approachable, persuading us not to automatically turn away. Instead, we are able to pause, consider, and reflect, and perhaps come to a greater understanding of the cultural and economic bonds between ourselves and animals.”
“[Samantha’s] images of modern farming methods provoke a reflection on the contemporary relationship between humans and animals... The formal beauty of her compositions makes a difficult subject approachable, persuading us not to automatically turn away. Instead, we are able to pause, consider, and reflect, and perhaps come to a greater understanding of the cultural and economic bonds between ourselves and animals.”
EXHIBITIONS & PUBLICATIONS
No items found.
Project Details
Year
Location
Goats, MX 2005
Goats, MX 2005
Goats, MX 2005
Goats, MX 2005
Goats, MX 2005
Goats, MX 2005
Goats, MX 2005
Goats, MX 2005
Goats, MX 2005
Goats, MX 2005
Goats, MX 2005
Goats, MX 2005
Goats, MX 2005
Goats, MX 2005
Goats, MX 2005
Goats, MX 2005
Goats, MX 2005
“[Samantha’s] images of modern farming methods provoke a reflection on the contemporary relationship between humans and animals... The formal beauty of her compositions makes a difficult subject approachable, persuading us not to automatically turn away. Instead, we are able to pause, consider, and reflect, and perhaps come to a greater understanding of the cultural and economic bonds between ourselves and animals.”
“[Samantha’s] images of modern farming methods provoke a reflection on the contemporary relationship between humans and animals... The formal beauty of her compositions makes a difficult subject approachable, persuading us not to automatically turn away. Instead, we are able to pause, consider, and reflect, and perhaps come to a greater understanding of the cultural and economic bonds between ourselves and animals.”
EXHIBITIONS & PUBLICATIONS
No items found.
Project Details
Year
Location
Sow Farm, IA 2004
Sow Farm, IA 2004
Sow Farm, IA 2004
Sow Farm, IA 2004
Sow Farm, IA 2004
Sow Farm, IA 2004
Sow Farm, IA 2004
Sow Farm, IA 2004
Sow Farm, IA 2004
Sow Farm, IA 2004
Sow Farm, IA 2004
Sow Farm, IA 2004
Sow Farm, IA 2004
Sow Farm, IA 2004
Sow Farm, IA 2004
Sow Farm, IA 2004
Sow Farm, IA 2004
“[Samantha’s] images of modern farming methods provoke a reflection on the contemporary relationship between humans and animals... The formal beauty of her compositions makes a difficult subject approachable, persuading us not to automatically turn away. Instead, we are able to pause, consider, and reflect, and perhaps come to a greater understanding of the cultural and economic bonds between ourselves and animals.”
“[Samantha’s] images of modern farming methods provoke a reflection on the contemporary relationship between humans and animals... The formal beauty of her compositions makes a difficult subject approachable, persuading us not to automatically turn away. Instead, we are able to pause, consider, and reflect, and perhaps come to a greater understanding of the cultural and economic bonds between ourselves and animals.”
EXHIBITIONS & PUBLICATIONS
No items found.
Project Details
Year
Location
Ribs, MX 2005
Ribs, MX 2005
Ribs, MX 2005
Ribs, MX 2005
Ribs, MX 2005
Ribs, MX 2005
Ribs, MX 2005
Ribs, MX 2005
Ribs, MX 2005
Ribs, MX 2005
Ribs, MX 2005
Ribs, MX 2005
Ribs, MX 2005
Ribs, MX 2005
Ribs, MX 2005
Ribs, MX 2005
Ribs, MX 2005
“[Samantha’s] images of modern farming methods provoke a reflection on the contemporary relationship between humans and animals... The formal beauty of her compositions makes a difficult subject approachable, persuading us not to automatically turn away. Instead, we are able to pause, consider, and reflect, and perhaps come to a greater understanding of the cultural and economic bonds between ourselves and animals.”
“[Samantha’s] images of modern farming methods provoke a reflection on the contemporary relationship between humans and animals... The formal beauty of her compositions makes a difficult subject approachable, persuading us not to automatically turn away. Instead, we are able to pause, consider, and reflect, and perhaps come to a greater understanding of the cultural and economic bonds between ourselves and animals.”
EXHIBITIONS & PUBLICATIONS
No items found.
Project Details
Year
Location
Pete and Carcass, CT 2003
Pete and Carcass, CT 2003
Pete and Carcass, CT 2003
Pete and Carcass, CT 2003
Pete and Carcass, CT 2003
Pete and Carcass, CT 2003
Turkey Slaughterhouse, OH 2004
Pete and Carcass, CT 2003
Turkey Slaughterhouse, OH 2004
Pete and Carcass, CT 2003
Turkey Slaughterhouse, OH 2004
Pete and Carcass, CT 2003
Turkey Slaughterhouse, OH 2004
Pete and Carcass, CT 2003
Pete and Carcass, CT 2003
Turkey Slaughterhouse, OH 2004
Pete and Carcass, CT 2003
Turkey Slaughterhouse, OH 2004
Pete and Carcass, CT 2003
Pete and Carcass, CT 2003
Pete and Carcass, CT 2003
Turkey Slaughterhouse, OH 2004
Pete and Carcass, CT 2003
Pete and Carcass, CT 2003
Turkey Slaughterhouse, OH 2004
“[Samantha’s] images of modern farming methods provoke a reflection on the contemporary relationship between humans and animals... The formal beauty of her compositions makes a difficult subject approachable, persuading us not to automatically turn away. Instead, we are able to pause, consider, and reflect, and perhaps come to a greater understanding of the cultural and economic bonds between ourselves and animals.”
“[Samantha’s] images of modern farming methods provoke a reflection on the contemporary relationship between humans and animals... The formal beauty of her compositions makes a difficult subject approachable, persuading us not to automatically turn away. Instead, we are able to pause, consider, and reflect, and perhaps come to a greater understanding of the cultural and economic bonds between ourselves and animals.”
EXHIBITIONS & PUBLICATIONS
No items found.
Project Details
Year
Location
Chicken Feet, NY 2003
Chicken Feet, NY 2003
Chicken Feet, NY 2003
Chicken Feet, NY 2003
Chicken Feet, NY 2003
Chicken Feet, NY 2003
Chicken Feet, NY 2003
Chicken Feet, NY 2003
Chicken Feet, NY 2003
Chicken Feet, NY 2003
Chicken Feet, NY 2003
Chicken Feet, NY 2003
Chicken Feet, NY 2003
Chicken Feet, NY 2003
Chicken Feet, NY 2003
Chicken Feet, NY 2003
Chicken Feet, NY 2003
“[Samantha’s] images of modern farming methods provoke a reflection on the contemporary relationship between humans and animals... The formal beauty of her compositions makes a difficult subject approachable, persuading us not to automatically turn away. Instead, we are able to pause, consider, and reflect, and perhaps come to a greater understanding of the cultural and economic bonds between ourselves and animals.”
“[Samantha’s] images of modern farming methods provoke a reflection on the contemporary relationship between humans and animals... The formal beauty of her compositions makes a difficult subject approachable, persuading us not to automatically turn away. Instead, we are able to pause, consider, and reflect, and perhaps come to a greater understanding of the cultural and economic bonds between ourselves and animals.”
EXHIBITIONS & PUBLICATIONS
No items found.
Project Details
Year
Location
Turkey Claw and Hand, CT 2003
Turkey Claw and Hand, CT 2003
Turkey Claw and Hand, CT 2003
Turkey Claw and Hand, CT 2003
Turkey Claw and Hand, CT 2003
Turkey Claw and Hand, CT 2003
Sheep and Sheep Shearer, NY 2004
Turkey Claw and Hand, CT 2003
Sheep and Sheep Shearer, NY 2004
Turkey Claw and Hand, CT 2003
Sheep and Sheep Shearer, NY 2004
Turkey Claw and Hand, CT 2003
Sheep and Sheep Shearer, NY 2004
Turkey Claw and Hand, CT 2003
Turkey Claw and Hand, CT 2003
Sheep and Sheep Shearer, NY 2004
Turkey Claw and Hand, CT 2003
Sheep and Sheep Shearer, NY 2004
Turkey Claw and Hand, CT 2003
Turkey Claw and Hand, CT 2003
Turkey Claw and Hand, CT 2003
Sheep and Sheep Shearer, NY 2004
Turkey Claw and Hand, CT 2003
Turkey Claw and Hand, CT 2003
Sheep and Sheep Shearer, NY 2004
“[Samantha’s] images of modern farming methods provoke a reflection on the contemporary relationship between humans and animals... The formal beauty of her compositions makes a difficult subject approachable, persuading us not to automatically turn away. Instead, we are able to pause, consider, and reflect, and perhaps come to a greater understanding of the cultural and economic bonds between ourselves and animals.”
“[Samantha’s] images of modern farming methods provoke a reflection on the contemporary relationship between humans and animals... The formal beauty of her compositions makes a difficult subject approachable, persuading us not to automatically turn away. Instead, we are able to pause, consider, and reflect, and perhaps come to a greater understanding of the cultural and economic bonds between ourselves and animals.”
EXHIBITIONS & PUBLICATIONS
No items found.
Project Details
Year
Location
Milking Parlor, CT 2003
Milking Parlor, CT 2003
Milking Parlor, CT 2003
Milking Parlor, CT 2003
Milking Parlor, CT 2003
Milking Parlor, CT 2003
Milking Parlor, CT 2003
Milking Parlor, CT 2003
Milking Parlor, CT 2003
Milking Parlor, CT 2003
Milking Parlor, CT 2003
Milking Parlor, CT 2003
Milking Parlor, CT 2003
Milking Parlor, CT 2003
Milking Parlor, CT 2003
Milking Parlor, CT 2003
Milking Parlor, CT 2003
“[Samantha’s] images of modern farming methods provoke a reflection on the contemporary relationship between humans and animals... The formal beauty of her compositions makes a difficult subject approachable, persuading us not to automatically turn away. Instead, we are able to pause, consider, and reflect, and perhaps come to a greater understanding of the cultural and economic bonds between ourselves and animals.”
“[Samantha’s] images of modern farming methods provoke a reflection on the contemporary relationship between humans and animals... The formal beauty of her compositions makes a difficult subject approachable, persuading us not to automatically turn away. Instead, we are able to pause, consider, and reflect, and perhaps come to a greater understanding of the cultural and economic bonds between ourselves and animals.”
EXHIBITIONS & PUBLICATIONS
No items found.
Project Details
Year
Location
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