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Seren
My son Seren has always been one of my favorite subjects to photograph, but it was a delicate balance—giving him the freedom to simply be without the intrusion of a camera, while also capturing his pure reactions and instinctive connection to the world. I wanted to record his sense of wonder, unbridled joy, contemplation, and spontaneous interactions with nature—tasting glacier fragments, spitting water, kicking dirt into a boiling geothermal stream, and feeling the wind rush around him. He simply became integrated with his surroundings, experiencing nature as a child would in their own backyard.
By the age of nine, Seren had travelled to every continent. For all his love of adventure in distant places, when my mom asked which was his favorite, he answered simply: “Home.”
Papua New Guinea 2016
Papua New Guinea 2016
Papua New Guinea 2016
Papua New Guinea 2016
Papua New Guinea 2016
Papua New Guinea 2016
Papua New Guinea 2016
Papua New Guinea 2016
Papua New Guinea 2016
Papua New Guinea 2016
Papua New Guinea 2016
Papua New Guinea 2016
Papua New Guinea 2016
Papua New Guinea 2016
Papua New Guinea 2016
Papua New Guinea 2016
Papua New Guinea 2016
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“[Samantha’s] images of modern farming methods provoke a reflection on the contemporary relationship between humans and animals... The formal beauty of her compositions makes a difficult subject approachable, persuading us not to automatically turn away. Instead, we are able to pause, consider, and reflect, and perhaps come to a greater understanding of the cultural and economic bonds between ourselves and animals.”
“[Samantha’s] images of modern farming methods provoke a reflection on the contemporary relationship between humans and animals... The formal beauty of her compositions makes a difficult subject approachable, persuading us not to automatically turn away. Instead, we are able to pause, consider, and reflect, and perhaps come to a greater understanding of the cultural and economic bonds between ourselves and animals.”
EXHIBITIONS & PUBLICATIONS
No items found.
Project Details
Year
Location
Masai Mara, Kenya 2018
Masai Mara, Kenya 2018
Masai Mara, Kenya 2018
Masai Mara, Kenya 2018
Masai Mara, Kenya 2018
Masai Mara, Kenya 2018
Hawke’s Bay, New Zealand 2019
Masai Mara, Kenya 2018
Hawke’s Bay, New Zealand 2019
Masai Mara, Kenya 2018
Hawke’s Bay, New Zealand 2019
Masai Mara, Kenya 2018
Hawke’s Bay, New Zealand 2019
Masai Mara, Kenya 2018
Masai Mara, Kenya 2018
Hawke’s Bay, New Zealand 2019
Masai Mara, Kenya 2018
Hawke’s Bay, New Zealand 2019
Masai Mara, Kenya 2018
Masai Mara, Kenya 2018
Masai Mara, Kenya 2018
Hawke’s Bay, New Zealand 2019
Masai Mara, Kenya 2018
Masai Mara, Kenya 2018
Hawke’s Bay, New Zealand 2019
“[Samantha’s] images of modern farming methods provoke a reflection on the contemporary relationship between humans and animals... The formal beauty of her compositions makes a difficult subject approachable, persuading us not to automatically turn away. Instead, we are able to pause, consider, and reflect, and perhaps come to a greater understanding of the cultural and economic bonds between ourselves and animals.”
“[Samantha’s] images of modern farming methods provoke a reflection on the contemporary relationship between humans and animals... The formal beauty of her compositions makes a difficult subject approachable, persuading us not to automatically turn away. Instead, we are able to pause, consider, and reflect, and perhaps come to a greater understanding of the cultural and economic bonds between ourselves and animals.”
EXHIBITIONS & PUBLICATIONS
No items found.
Project Details
Year
Location
Masai Mara, Kenya, 2018
Masai Mara, Kenya, 2018
Masai Mara, Kenya, 2018
Masai Mara, Kenya, 2018
Masai Mara, Kenya, 2018
Masai Mara, Kenya, 2018
Masai Mara, Kenya, 2018
Masai Mara, Kenya, 2018
Masai Mara, Kenya, 2018
Masai Mara, Kenya, 2018
Masai Mara, Kenya, 2018
Masai Mara, Kenya, 2018
Masai Mara, Kenya, 2018
Masai Mara, Kenya, 2018
Masai Mara, Kenya, 2018
Masai Mara, Kenya, 2018
Masai Mara, Kenya, 2018
“[Samantha’s] images of modern farming methods provoke a reflection on the contemporary relationship between humans and animals... The formal beauty of her compositions makes a difficult subject approachable, persuading us not to automatically turn away. Instead, we are able to pause, consider, and reflect, and perhaps come to a greater understanding of the cultural and economic bonds between ourselves and animals.”
“[Samantha’s] images of modern farming methods provoke a reflection on the contemporary relationship between humans and animals... The formal beauty of her compositions makes a difficult subject approachable, persuading us not to automatically turn away. Instead, we are able to pause, consider, and reflect, and perhaps come to a greater understanding of the cultural and economic bonds between ourselves and animals.”
EXHIBITIONS & PUBLICATIONS
No items found.
Project Details
Year
Location
Rabaul, Papua New Guinea 2016
Rabaul, Papua New Guinea 2016
Rabaul, Papua New Guinea 2016
Rabaul, Papua New Guinea 2016
Rabaul, Papua New Guinea 2016
Rabaul, Papua New Guinea 2016
Rabaul, Papua New Guinea 2016
Rabaul, Papua New Guinea 2016
Rabaul, Papua New Guinea 2016
Rabaul, Papua New Guinea 2016
Rabaul, Papua New Guinea 2016
Rabaul, Papua New Guinea 2016
Rabaul, Papua New Guinea 2016
Rabaul, Papua New Guinea 2016
Rabaul, Papua New Guinea 2016
Rabaul, Papua New Guinea 2016
Rabaul, Papua New Guinea 2016
“[Samantha’s] images of modern farming methods provoke a reflection on the contemporary relationship between humans and animals... The formal beauty of her compositions makes a difficult subject approachable, persuading us not to automatically turn away. Instead, we are able to pause, consider, and reflect, and perhaps come to a greater understanding of the cultural and economic bonds between ourselves and animals.”
“[Samantha’s] images of modern farming methods provoke a reflection on the contemporary relationship between humans and animals... The formal beauty of her compositions makes a difficult subject approachable, persuading us not to automatically turn away. Instead, we are able to pause, consider, and reflect, and perhaps come to a greater understanding of the cultural and economic bonds between ourselves and animals.”
EXHIBITIONS & PUBLICATIONS
No items found.
Project Details
Year
Location
Montana 2017
Montana 2017
Montana 2017
Montana 2017
Montana 2017
Montana 2017
Alaska 2020
Montana 2017
Alaska 2020
Montana 2017
Alaska 2020
Montana 2017
Alaska 2020
Montana 2017
Montana 2017
Alaska 2020
Montana 2017
Alaska 2020
Montana 2017
Montana 2017
Montana 2017
Alaska 2020
Montana 2017
Montana 2017
Alaska 2020
“[Samantha’s] images of modern farming methods provoke a reflection on the contemporary relationship between humans and animals... The formal beauty of her compositions makes a difficult subject approachable, persuading us not to automatically turn away. Instead, we are able to pause, consider, and reflect, and perhaps come to a greater understanding of the cultural and economic bonds between ourselves and animals.”
“[Samantha’s] images of modern farming methods provoke a reflection on the contemporary relationship between humans and animals... The formal beauty of her compositions makes a difficult subject approachable, persuading us not to automatically turn away. Instead, we are able to pause, consider, and reflect, and perhaps come to a greater understanding of the cultural and economic bonds between ourselves and animals.”
EXHIBITIONS & PUBLICATIONS
No items found.
Project Details
Year
Location
Iceland 2021
Iceland 2021
Iceland 2021
Iceland 2021
Iceland 2021
Iceland 2021
Iceland 2021
Iceland 2021
Iceland 2021
Iceland 2021
Iceland 2021
Iceland 2021
Iceland 2021
Iceland 2021
Iceland 2021
Iceland 2021
Iceland 2021
“[Samantha’s] images of modern farming methods provoke a reflection on the contemporary relationship between humans and animals... The formal beauty of her compositions makes a difficult subject approachable, persuading us not to automatically turn away. Instead, we are able to pause, consider, and reflect, and perhaps come to a greater understanding of the cultural and economic bonds between ourselves and animals.”
“[Samantha’s] images of modern farming methods provoke a reflection on the contemporary relationship between humans and animals... The formal beauty of her compositions makes a difficult subject approachable, persuading us not to automatically turn away. Instead, we are able to pause, consider, and reflect, and perhaps come to a greater understanding of the cultural and economic bonds between ourselves and animals.”
EXHIBITIONS & PUBLICATIONS
No items found.
Project Details
Year
Location
Tasman Glacier, Mt Cook, New Zealand 2019
Tasman Glacier, Mt Cook, New Zealand 2019
Tasman Glacier, Mt Cook, New Zealand 2019
Tasman Glacier, Mt Cook, New Zealand 2019
Tasman Glacier, Mt Cook, New Zealand 2019
Tasman Glacier, Mt Cook, New Zealand 2019
Maldives 2022
Tasman Glacier, Mt Cook, New Zealand 2019
Maldives 2022
Tasman Glacier, Mt Cook, New Zealand 2019
Maldives 2022
Tasman Glacier, Mt Cook, New Zealand 2019
Maldives 2022
Tasman Glacier, Mt Cook, New Zealand 2019
Tasman Glacier, Mt Cook, New Zealand 2019
Maldives 2022
Tasman Glacier, Mt Cook, New Zealand 2019
Maldives 2022
Tasman Glacier, Mt Cook, New Zealand 2019
Tasman Glacier, Mt Cook, New Zealand 2019
Tasman Glacier, Mt Cook, New Zealand 2019
Maldives 2022
Tasman Glacier, Mt Cook, New Zealand 2019
Tasman Glacier, Mt Cook, New Zealand 2019
Maldives 2022
“[Samantha’s] images of modern farming methods provoke a reflection on the contemporary relationship between humans and animals... The formal beauty of her compositions makes a difficult subject approachable, persuading us not to automatically turn away. Instead, we are able to pause, consider, and reflect, and perhaps come to a greater understanding of the cultural and economic bonds between ourselves and animals.”
“[Samantha’s] images of modern farming methods provoke a reflection on the contemporary relationship between humans and animals... The formal beauty of her compositions makes a difficult subject approachable, persuading us not to automatically turn away. Instead, we are able to pause, consider, and reflect, and perhaps come to a greater understanding of the cultural and economic bonds between ourselves and animals.”
EXHIBITIONS & PUBLICATIONS
No items found.
Project Details
Year
Location
.webp)
Emperor Penguin, Antarctica 2015 (Photographed by a friend)
Emperor Penguin, Antarctica 2015 (Photographed by a friend)
Emperor Penguin, Antarctica 2015 (Photographed by a friend)
Emperor Penguin, Antarctica 2015 (Photographed by a friend)
Emperor Penguin, Antarctica 2015 (Photographed by a friend)
Emperor Penguin, Antarctica 2015 (Photographed by a friend)
Emperor Penguin, Antarctica 2015 (Photographed by a friend)
Emperor Penguin, Antarctica 2015 (Photographed by a friend)
Emperor Penguin, Antarctica 2015 (Photographed by a friend)
Emperor Penguin, Antarctica 2015 (Photographed by a friend)
Emperor Penguin, Antarctica 2015 (Photographed by a friend)
Emperor Penguin, Antarctica 2015 (Photographed by a friend)
Emperor Penguin, Antarctica 2015 (Photographed by a friend)
Emperor Penguin, Antarctica 2015 (Photographed by a friend)
Emperor Penguin, Antarctica 2015 (Photographed by a friend)
Emperor Penguin, Antarctica 2015 (Photographed by a friend)
Emperor Penguin, Antarctica 2015 (Photographed by a friend)
“[Samantha’s] images of modern farming methods provoke a reflection on the contemporary relationship between humans and animals... The formal beauty of her compositions makes a difficult subject approachable, persuading us not to automatically turn away. Instead, we are able to pause, consider, and reflect, and perhaps come to a greater understanding of the cultural and economic bonds between ourselves and animals.”
“[Samantha’s] images of modern farming methods provoke a reflection on the contemporary relationship between humans and animals... The formal beauty of her compositions makes a difficult subject approachable, persuading us not to automatically turn away. Instead, we are able to pause, consider, and reflect, and perhaps come to a greater understanding of the cultural and economic bonds between ourselves and animals.”
EXHIBITIONS & PUBLICATIONS
No items found.
Project Details
Year
Location
Nairobi, Kenya 2017
Nairobi, Kenya 2017
Nairobi, Kenya 2017
Nairobi, Kenya 2017
Nairobi, Kenya 2017
Nairobi, Kenya 2017
White Island, New Zealand 2019
Nairobi, Kenya 2017
White Island, New Zealand 2019
Nairobi, Kenya 2017
White Island, New Zealand 2019
Nairobi, Kenya 2017
White Island, New Zealand 2019
Nairobi, Kenya 2017
Nairobi, Kenya 2017
White Island, New Zealand 2019
Nairobi, Kenya 2017
White Island, New Zealand 2019
Nairobi, Kenya 2017
Nairobi, Kenya 2017
Nairobi, Kenya 2017
White Island, New Zealand 2019
Nairobi, Kenya 2017
Nairobi, Kenya 2017
White Island, New Zealand 2019
“[Samantha’s] images of modern farming methods provoke a reflection on the contemporary relationship between humans and animals... The formal beauty of her compositions makes a difficult subject approachable, persuading us not to automatically turn away. Instead, we are able to pause, consider, and reflect, and perhaps come to a greater understanding of the cultural and economic bonds between ourselves and animals.”
“[Samantha’s] images of modern farming methods provoke a reflection on the contemporary relationship between humans and animals... The formal beauty of her compositions makes a difficult subject approachable, persuading us not to automatically turn away. Instead, we are able to pause, consider, and reflect, and perhaps come to a greater understanding of the cultural and economic bonds between ourselves and animals.”
EXHIBITIONS & PUBLICATIONS
No items found.
Project Details
Year
Location
Alaska 2020
Alaska 2020
Alaska 2020
Alaska 2020
Alaska 2020
Alaska 2020
Alaska 2020
Alaska 2020
Alaska 2020
Alaska 2020
Alaska 2020
Alaska 2020
Alaska 2020
Alaska 2020
Alaska 2020
Alaska 2020
Alaska 2020
“[Samantha’s] images of modern farming methods provoke a reflection on the contemporary relationship between humans and animals... The formal beauty of her compositions makes a difficult subject approachable, persuading us not to automatically turn away. Instead, we are able to pause, consider, and reflect, and perhaps come to a greater understanding of the cultural and economic bonds between ourselves and animals.”
“[Samantha’s] images of modern farming methods provoke a reflection on the contemporary relationship between humans and animals... The formal beauty of her compositions makes a difficult subject approachable, persuading us not to automatically turn away. Instead, we are able to pause, consider, and reflect, and perhaps come to a greater understanding of the cultural and economic bonds between ourselves and animals.”
EXHIBITIONS & PUBLICATIONS
No items found.
Project Details
Year
Location
Fiordland, New Zealand 2019
Fiordland, New Zealand 2019
Fiordland, New Zealand 2019
Fiordland, New Zealand 2019
Fiordland, New Zealand 2019
Fiordland, New Zealand 2019
South Africa 2015
Fiordland, New Zealand 2019
South Africa 2015
Fiordland, New Zealand 2019
South Africa 2015
Fiordland, New Zealand 2019
South Africa 2015
Fiordland, New Zealand 2019
Fiordland, New Zealand 2019
South Africa 2015
Fiordland, New Zealand 2019
South Africa 2015
Fiordland, New Zealand 2019
Fiordland, New Zealand 2019
Fiordland, New Zealand 2019
South Africa 2015
Fiordland, New Zealand 2019
Fiordland, New Zealand 2019
South Africa 2015
“[Samantha’s] images of modern farming methods provoke a reflection on the contemporary relationship between humans and animals... The formal beauty of her compositions makes a difficult subject approachable, persuading us not to automatically turn away. Instead, we are able to pause, consider, and reflect, and perhaps come to a greater understanding of the cultural and economic bonds between ourselves and animals.”
“[Samantha’s] images of modern farming methods provoke a reflection on the contemporary relationship between humans and animals... The formal beauty of her compositions makes a difficult subject approachable, persuading us not to automatically turn away. Instead, we are able to pause, consider, and reflect, and perhaps come to a greater understanding of the cultural and economic bonds between ourselves and animals.”
EXHIBITIONS & PUBLICATIONS
No items found.
Project Details
Year
Location
.webp)
Galapagos 2014
Galapagos 2014
Galapagos 2014
Galapagos 2014
Galapagos 2014
Galapagos 2014
Galapagos 2014
Galapagos 2014
Galapagos 2014
Galapagos 2014
Galapagos 2014
Galapagos 2014
Galapagos 2014
Galapagos 2014
Galapagos 2014
Galapagos 2014
Galapagos 2014
“[Samantha’s] images of modern farming methods provoke a reflection on the contemporary relationship between humans and animals... The formal beauty of her compositions makes a difficult subject approachable, persuading us not to automatically turn away. Instead, we are able to pause, consider, and reflect, and perhaps come to a greater understanding of the cultural and economic bonds between ourselves and animals.”
“[Samantha’s] images of modern farming methods provoke a reflection on the contemporary relationship between humans and animals... The formal beauty of her compositions makes a difficult subject approachable, persuading us not to automatically turn away. Instead, we are able to pause, consider, and reflect, and perhaps come to a greater understanding of the cultural and economic bonds between ourselves and animals.”
EXHIBITIONS & PUBLICATIONS
No items found.
Project Details
Year
Location
Montana 2013
Montana 2013
Montana 2013
Montana 2013
Montana 2013
Montana 2013
Italy 2022
Montana 2013
Italy 2022
Montana 2013
Italy 2022
Montana 2013
Italy 2022
Montana 2013
Montana 2013
Italy 2022
Montana 2013
Italy 2022
Montana 2013
Montana 2013
Montana 2013
Italy 2022
Montana 2013
Montana 2013
Italy 2022
“[Samantha’s] images of modern farming methods provoke a reflection on the contemporary relationship between humans and animals... The formal beauty of her compositions makes a difficult subject approachable, persuading us not to automatically turn away. Instead, we are able to pause, consider, and reflect, and perhaps come to a greater understanding of the cultural and economic bonds between ourselves and animals.”
“[Samantha’s] images of modern farming methods provoke a reflection on the contemporary relationship between humans and animals... The formal beauty of her compositions makes a difficult subject approachable, persuading us not to automatically turn away. Instead, we are able to pause, consider, and reflect, and perhaps come to a greater understanding of the cultural and economic bonds between ourselves and animals.”
EXHIBITIONS & PUBLICATIONS
No items found.
Project Details
Year
Location
Moholoholo Wildlife Rehabilitation Center, South Africa 2015
Moholoholo Wildlife Rehabilitation Center, South Africa 2015
Moholoholo Wildlife Rehabilitation Center, South Africa 2015
Moholoholo Wildlife Rehabilitation Center, South Africa 2015
Moholoholo Wildlife Rehabilitation Center, South Africa 2015
Moholoholo Wildlife Rehabilitation Center, South Africa 2015
Moholoholo Wildlife Rehabilitation Center, South Africa 2015
Moholoholo Wildlife Rehabilitation Center, South Africa 2015
Moholoholo Wildlife Rehabilitation Center, South Africa 2015
Moholoholo Wildlife Rehabilitation Center, South Africa 2015
Moholoholo Wildlife Rehabilitation Center, South Africa 2015
Moholoholo Wildlife Rehabilitation Center, South Africa 2015
Moholoholo Wildlife Rehabilitation Center, South Africa 2015
Moholoholo Wildlife Rehabilitation Center, South Africa 2015
Moholoholo Wildlife Rehabilitation Center, South Africa 2015
Moholoholo Wildlife Rehabilitation Center, South Africa 2015
Moholoholo Wildlife Rehabilitation Center, South Africa 2015
“[Samantha’s] images of modern farming methods provoke a reflection on the contemporary relationship between humans and animals... The formal beauty of her compositions makes a difficult subject approachable, persuading us not to automatically turn away. Instead, we are able to pause, consider, and reflect, and perhaps come to a greater understanding of the cultural and economic bonds between ourselves and animals.”
“[Samantha’s] images of modern farming methods provoke a reflection on the contemporary relationship between humans and animals... The formal beauty of her compositions makes a difficult subject approachable, persuading us not to automatically turn away. Instead, we are able to pause, consider, and reflect, and perhaps come to a greater understanding of the cultural and economic bonds between ourselves and animals.”
EXHIBITIONS & PUBLICATIONS
No items found.
Project Details
Year
Location
Winnowing Teff, Adwaw, Tigray Region, Ethiopia 2019
Winnowing Teff, Adwaw, Tigray Region, Ethiopia 2019
Winnowing Teff, Adwaw, Tigray Region, Ethiopia 2019
Winnowing Teff, Adwaw, Tigray Region, Ethiopia 2019
Winnowing Teff, Adwaw, Tigray Region, Ethiopia 2019
Winnowing Teff, Adwaw, Tigray Region, Ethiopia 2019
The Joy of Legos, Hawaii 2014
Winnowing Teff, Adwaw, Tigray Region, Ethiopia 2019
The Joy of Legos, Hawaii 2014
Winnowing Teff, Adwaw, Tigray Region, Ethiopia 2019
The Joy of Legos, Hawaii 2014
Winnowing Teff, Adwaw, Tigray Region, Ethiopia 2019
The Joy of Legos, Hawaii 2014
Winnowing Teff, Adwaw, Tigray Region, Ethiopia 2019
Winnowing Teff, Adwaw, Tigray Region, Ethiopia 2019
The Joy of Legos, Hawaii 2014
Winnowing Teff, Adwaw, Tigray Region, Ethiopia 2019
The Joy of Legos, Hawaii 2014
Winnowing Teff, Adwaw, Tigray Region, Ethiopia 2019
Winnowing Teff, Adwaw, Tigray Region, Ethiopia 2019
Winnowing Teff, Adwaw, Tigray Region, Ethiopia 2019
The Joy of Legos, Hawaii 2014
Winnowing Teff, Adwaw, Tigray Region, Ethiopia 2019
Winnowing Teff, Adwaw, Tigray Region, Ethiopia 2019
The Joy of Legos, Hawaii 2014
“[Samantha’s] images of modern farming methods provoke a reflection on the contemporary relationship between humans and animals... The formal beauty of her compositions makes a difficult subject approachable, persuading us not to automatically turn away. Instead, we are able to pause, consider, and reflect, and perhaps come to a greater understanding of the cultural and economic bonds between ourselves and animals.”
“[Samantha’s] images of modern farming methods provoke a reflection on the contemporary relationship between humans and animals... The formal beauty of her compositions makes a difficult subject approachable, persuading us not to automatically turn away. Instead, we are able to pause, consider, and reflect, and perhaps come to a greater understanding of the cultural and economic bonds between ourselves and animals.”
EXHIBITIONS & PUBLICATIONS
No items found.
Project Details
Year
Location
Linyanti River, Botswana 2021
Linyanti River, Botswana 2021
Linyanti River, Botswana 2021
Linyanti River, Botswana 2021
Linyanti River, Botswana 2021
Linyanti River, Botswana 2021
Linyanti River, Botswana 2021
Linyanti River, Botswana 2021
Linyanti River, Botswana 2021
Linyanti River, Botswana 2021
Linyanti River, Botswana 2021
Linyanti River, Botswana 2021
Linyanti River, Botswana 2021
Linyanti River, Botswana 2021
Linyanti River, Botswana 2021
Linyanti River, Botswana 2021
Linyanti River, Botswana 2021
“[Samantha’s] images of modern farming methods provoke a reflection on the contemporary relationship between humans and animals... The formal beauty of her compositions makes a difficult subject approachable, persuading us not to automatically turn away. Instead, we are able to pause, consider, and reflect, and perhaps come to a greater understanding of the cultural and economic bonds between ourselves and animals.”
“[Samantha’s] images of modern farming methods provoke a reflection on the contemporary relationship between humans and animals... The formal beauty of her compositions makes a difficult subject approachable, persuading us not to automatically turn away. Instead, we are able to pause, consider, and reflect, and perhaps come to a greater understanding of the cultural and economic bonds between ourselves and animals.”
EXHIBITIONS & PUBLICATIONS
No items found.
Project Details
Year
Location
.webp)
Home with Frances, New York 2014
Home with Frances, New York 2014
Home with Frances, New York 2014
Home with Frances, New York 2014
Home with Frances, New York 2014
Home with Frances, New York 2014
Home with Frances, New York 2014
Home with Frances, New York 2014
Home with Frances, New York 2014
Home with Frances, New York 2014
Home with Frances, New York 2014
Home with Frances, New York 2014
Home with Frances, New York 2014
Home with Frances, New York 2014
Home with Frances, New York 2014
Home with Frances, New York 2014
Home with Frances, New York 2014
“[Samantha’s] images of modern farming methods provoke a reflection on the contemporary relationship between humans and animals... The formal beauty of her compositions makes a difficult subject approachable, persuading us not to automatically turn away. Instead, we are able to pause, consider, and reflect, and perhaps come to a greater understanding of the cultural and economic bonds between ourselves and animals.”
“[Samantha’s] images of modern farming methods provoke a reflection on the contemporary relationship between humans and animals... The formal beauty of her compositions makes a difficult subject approachable, persuading us not to automatically turn away. Instead, we are able to pause, consider, and reflect, and perhaps come to a greater understanding of the cultural and economic bonds between ourselves and animals.”
EXHIBITIONS & PUBLICATIONS
No items found.
Project Details
Year
Location
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